Avi Nesher's Our Loves Reaches Cinemas: The Story and When to See It

Avi Nesher's new film, "Our Loves," is due for commercial release on 15 October. After its festival exposure, audiences can now choose a screening at a cinema near home. Cinema City lists a running time of 117 minutes and admission from age 12. These are the first details to know before booking, alongside the subject: relationships and private crises on the eve of 7 October.

According to the distribution synopsis, the plot follows seven characters whose stories intersect. For them, 6 October initially seems to be the day their personal lives reach breaking point. Audiences, knowing what the next morning will bring, enter with knowledge the characters do not yet share. This gap is part of the film's stated premise, not a surprise to conceal from prospective viewers.

From the festival to a screening near home

A commercial release date is not necessarily the first time a film screens publicly. A festival premiere, gala screening or preview may precede its release in cinema chains. Reports and audience responses to "Our Loves" may therefore appear before 15 October without necessarily contradicting the release schedule.

Kan reported the film's presentation in Toronto and its selection to open the Haifa festival. The Haifa festival website lists it among special events as a 2026 Israeli film directed by Nesher. For people who did not attend the festival, the practical question now is which cinema lists a commercial screening at a suitable time, not when the world premiere took place.

Israel Hayom's October film roundup includes the film in the month's release schedule. Together with the cinema chain's film page, it places the release within a wider viewing plan. This does not guarantee every theater will show it on the same day or at the same times. Screening distribution and frequency are local matters, varying between complexes and weekdays.

Seven characters and the audience's prior knowledge

The production describes the film as a drama inspired by true events. Distinguish that description from a documentary: this is a dramatic narrative, and the distribution synopsis provides no basis for treating every character or conversation as a factual reconstruction of a particular person or event. Viewers are watching a cinematic work that shapes a story, even when the historical background is very familiar.

The distributor's cast list includes Shalom Michaelshvili, Maggie Azarzar, Yaniv Biton, Lena Fraifeld, Amir Banai, Evelin Hagoel and Hadas Yaron, among others. The combination of a broad ensemble and intersecting stories explains why the synopsis does not focus on one protagonist. It offers several perspectives on relationships before the public context changes the meaning of private crises.

Knowing the date in advance does not require audiences to interpret the film in one way. It does change the viewing conditions: a line exchanged by two characters may sound different to someone who knows what happens the next day. This is an opening for interpreting the story, not a judgment about how the film actually realizes it. Keep that distinction when watching a trailer designed to spark interest.

Running time, languages and age restriction

117 minutes means one hour and 57 minutes of film, before any additional time for advertisements, arrival and departure. Anyone using public transport or planning something afterward should treat the screening time as the start of the cinema visit, rather than calculate the return time from the film's duration alone.

Cinema City's details list Hebrew as both the original language and subtitle language. The Haifa festival listing also includes Arabic and Moroccan, with Hebrew and English translation. These details concern different screening settings. Anyone needing English subtitles should check that they appear on the screening being booked, rather than assume the festival print's details apply to every commercial screening.

The age-12 restriction is information published by the chain. It does not guarantee the subject suits every viewer above that age. With a setting around 7 October, the decision may also depend on personal proximity to the events and willingness to watch a drama about them. You can read the synopsis before purchasing without learning the plot's resolution.

For a group speaking different languages, confirm subtitles before selecting seats. Dialogue language and translation language are separate details: seeing "Hebrew" in the film information does not alone tell you whether a non‑Hebrew speaker can follow it.

Choosing a screening and ticket

The Cinema City film page lets you select a complex and date. Check the price for the specific booking: there is no uniform nationwide price from which to infer what every viewer will pay at every theater. The same applies to discounts, ticket bundles and subscriptions. A benefit offered by a cinematheque or one chain does not establish sales terms elsewhere.

Before paying, confirm the date, start time, auditorium type and subtitle language, and check the final amount. Anyone requiring accessible seating or a hearing aid system should coordinate with the chosen complex. Accessibility details for another cinema do not replace information about the auditorium hosting your screening.

The choice remains straightforward: "Our Loves" is a new Israeli film about private stories within a charged public moment. Its announced release date is 15 October; the actual visit will also be shaped by the cinema, screening and accommodations selected beforehand.

Read also: Where to Watch Israeli Cinema at Home